Tag Archives: shekinah

Jesus Christ: Vishnu Tattva, Yagna Purusha Yupa Dhvaja

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9098_10152166660734828_2079101635_nHERU-AUSU-ATUM the Original Supreme Godhead of the Primal Rhodes-related Heliopolitan Egyptian Bhakti Divine Love Tradition is HARI, God Who IS Love, the Lord of the HRID / HEART.

The Circle Hieroglyph reads ‘R (HR) or ‘L and used to be rendered by modern linguists as HOR, but more recently has been rendered as HERU.

The Second Person of the Primal Deity HERU was AUSU, here depicted as the Uraeus Cobra or Ourobolos Serpent of Infinity that is holding-up Heru. Ananta Sesha Naga as Ausu-Uraeus is draped with His Ankh Cross, which is His Symbol as the Cosmic Purusha PER-AUSU. The cCatholic Apostolic Coptic Egyptian Rite of Saint Mark of Alexandria Egypt retained this same ancient ANKH CROSS OF AUSU / OSIRIS AS ITS SYMBOL OF JESUS CHRIST, the Self-Sacrificed Cosmic Purusha (Egyptian PER-AUSU, Greek POLIEUS).

HERU-AUSU’s Omnipresent Third Person, Their Holy Spirit ATUM (the Indic Tradition PARAM-ATMAN), is depicted as the CORONA / KARANA-MALA Garland of RAY-HANDS (Sanskrit KARA) that extend from HERU-AUSU and Hold His Ankh Crosses. These Ray-Hands also do the creating, maintaining and dismantling work of all Temporary (composite, material) Worlds. Even today countless Vaishnava and Pure Land Buddhist Icons of HARI still depict Him
as surrounded by just such a ‘Garland of Ray-Hands’.

As the KR root Name CREATOR, Hari-Vasu-Atman is called KRITA Creator, KRITA-KRITA Creator of Creators, and KARTRI Creator. He is God / Huta and the Lord of Lords, Guard of Guardians and Ward of Wardens, Varda-vardana. He is the Raja-raja King of kings. Compare ancient Greek REX, Roman REG and Biblical Hebrew ROSH and RAZAN. He is Vasudeva of the vasudevas the Biblical Basileos of the basileos. He is HARI of the Hari-janas / Haryana / Suragana and ELI of the Elohima.

Together the 3 Persons of the Trinity of the Transcendent HERU, the Mediating AUSU and the Immanent ATUM are the Original Supreme Personality of Godhead. They are the HERU-AUSU-ATUM of Heliopolis, the HELI-OSiris-ATOMOS of the Greeks, the HERU-WASU-ATEN of Thebes (in Egypt), the ELI-YAHU-ADON of the Biblical Semites, and the HARI-VASU -ATMAN (Krishna-Baladeva-Paramatma) of the Vaishnavas. To the Pure Land Buddhists These Same Three Persons of the HARI Trinity were the TRI KAYA of Amitabha-Amitayus-Lokeshvara.

+In the Name of the Father, the Son and Their Holy Spirit, and with the help of our Mother Mary-Miriam / Nari-Narayani, Radha / Rhoda Mystica, may our human Family again be united as ONE FAMILY UNDER GOD! + Amun Amen Amin Aum !
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The Shakti (Shekinah) of the Supreme Lord Hari (Heru) & the Peacock

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The Shakti (Shekinah) of the Supreme Lord Heru-Ausu-Atum / ELI-YAHU-ADON / Hari-Vasu-Atman is also associated with His Sacred Peacock. This montage illustrates how the Roman Juno and Greek Hera ‘Queen Mother of the gods’ was typically depicted with Her Sacred Peacock. Note that She is depicted either seated with Her Peacock by Her Queen’s Throne, or in a peacock VEHicle WAGON VAHANA. This is important because in Indian and Oriental Vaishnava and Pure Land (Mahayana) Buddhist Iconography, Hari or Krishna-Vishnu’s Shakti as Sarasvati (Biblical SARAH-CHOKMAH / SOPHIA HOLY WISDOM) is seated-on a Peacock Asana (Throne) or rides a Peacock Vahana (Vehicle / Wagon). I hope to make a montage to illustrate this next.

 

Discover One Godhead – East & West – The Holy Trinity & Atenism Explained

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Bhakti Ananda Goswami aka David M. Sherman Speaks on the Holy Trinity as the Vaishnava Krishna – Baladeva – Paramatma, Akhnaten’s Origin – Manifested – Omnipresent and Pure Land Buddhism’s Tri-Kaya. These are the Three aspects of the One Supreme Godhead at the foundation of all God Centered forms of Religion. Thus this Holy Trinity is found in ancient Judaism, Mediterranean Heliopolitanism and Zorarastrianism among many others.

He also identifies the Holy Cross and the Ankh with the Vedic Yupa Dhwaj or Sacrificial Stake and the Self Sacrifice of Purusha or God

The True Identity of the original Sattvic Dionysus as both Lord Shiva and Lord Balarama, the Common Theme of the Great Flood and God’s Greek Dolphinus or Vedic Matsya Avatar, Amunism, Atenism, Ancient Judaic Religion, Heliopolis as the City of On or Aun – OM, Ancient Mediterranean Vaishnavism centered upon Rhoda-Kouros or Radha Krishna and the ongoing struggle between the doctrines of Voidist – Godless Impersonalism and Fully Personalized Devotional Traditions combined with Paramatma Worship are also discussed. Read the rest of this entry

The Sacred Djed Pillar is Not a Phallic Emblem nor a Spinal Column

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Djed Murals

For the record, this montage was not created or posted by me, but it is interesting and I would like to know the source of the Meso-American images, so that I can research it further. What do the experts say about them? I have studied the Raising of the Djed Pillar Egyptian Iconography in depth and have a lot to say about it, but I would need to know a lot more about the compared Meso-American Icons before making a judgement about them. As for the Raising the Djed ritual in ancient Egyptian Art, the current vogue in interpretation regarding this is that the Djed is a phallic symbol and you can surmise the rest. Frankly I am so sick of the nonsense that passes for scholarship in our time, that it just amazes me how anyone can take the promulgators of such trash seriously. The Egyptians were not shy about depicting the phallus of God, and so if they had wanted the Was or the Djed Scepters or Pillar to be a phallus, they would have rendered it as one. 
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The Rasa Lila Chorus of Helios Kouros & Rhoda/Radha & Krishna

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The Circle / Cycle / Chakra Dance was originally & universally SACRED to Helios KOUROS & His Beloved RHODA, the Eternally Beautiful & Ever New Youthful KRISHNA & RADHA Nava Yauvana & Nava Yauva…ni!  Their Kouroi & Korae Expansions, the Boys & Girls of Paradise, always dance Their Sacred CHORUS / KOUROS Round Dance with Them in the Garden of Paradise.  All over the Earth, various Peoples still continue some Form of this Primal Divine Love Tradition of the Rasa Lila Dance today!  Please see my Album & Video Links on this subject of the various Forms of the Rasa Lila Dance in World Cultures & Religions.  The Dance was called CHORUS after KOUROS / KRISHNA.  Sometimes it was called a CAROL from KOURU-AULOS, because the Supreme Meghistos Kouros Youth would lead His Circle Dance with His AULOS / FLUTE!  (See also  history of Ballet.) In ancient Greece the Chorus or Sacred Circle Cycle / Chakra Dance was devoted to Helios Meghistos Kouros and Rhoda, Krishna and Radha.  The Rasa Lila Dance is the Divine Love ‘Chorus’ of Helios Kouros & Rhoda / Radha & Krishna and Their Expansions the Gopas and Gopis, the Kouroi and Korae of Their Bucolic Gokula Lotus Isle of Rhoda-Nymphia-Asteria / Radha-Padme-Tara in the Prehistoric Mediterranean (Middle Earth) Sea. The Bridal Mysticism Hierogamos Tradition of Rhoda and Kouros on Their Sacred Lotus Isle of Rhodes is the pre-historic Tradition of Radha and Krishna that is at the Heart of the Judeo-cCatholic Tradition in the Biblical Song of Songs!  In Judaism the Hora is their Sacred Cycle / Chakra Dance, the cCatholic Chorus or Carol, the Angel Round of the Blessed in Paradise! Read the rest of this entry

Tara: The Worship of MA Kuan Yin Has NOT Developed From the Separate Worship of Lokeshvara

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Everywhere and at all times in the ancient world, when tending-towards sattvic people worshiped the Supreme Lord and His Shakti/Shekinah, They were ALWAYS worshiped TOGETHER. Thus all forms of Pure Land Buddhism have their origins in the worship of both AMITA-BHA and His SHAKTI. Tara (STAR, ASTRAYA/ASTAREA/STELLA) is one of the Shaktis of Vishnu, and when Pure Land Devotional Buddhism spread into China, TARA was initially worshiped along with Avalokiteshvara (Vishnu) as MA Guan Yin. The earliest Icons/Murtis of Guan Yin that are masculine are simply the Father Avalokiteshvara Kuan Yin Form. As the devotion to Ma Guan Yin (TARA) became ever more popular, the devotion to Father Guan Yin (Lokeshvara) both receded in importance and became absorbed-into a kind of we-don’t-know-and-we-don’t-care devotion to the rather a-sexual form of Guan Yin.  Read the rest of this entry