Tag Archives: purusha

Worship of Krishna-Balarama & Paramatma as Tri-Kaya of Mahayana Pure Land Buddhism

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Uddhava hears from Krsna “Krsna in Mathura – “Sri Uddhava said: Thereafter Lord Krsna went to Mathura City with Sri Baladeva, and to please Their parents They dragged Kamsa, the leader of public enemies, down from his throne and killed him, pulling him along the ground with great strength.” (SB 3.3.1)

“Since that time, the city of Mathura had been the capital of all the kings of the Yadu dynasty. The city and district of Mathura are very intimately connected with Krsna, for Lord Krsna lives there eternally.” (SB 10.1.28)”

All expert Mahayana Pure Land Buddhist Art Historians know that the canon of Mahayana Pure Land Buddhist sacred Art derives from and diffused from its two earliest main regional centers in Gandhara and Mathura. The Gandharan Forms were more Greek in style and the Mathuran Forms were more classically Indian and Oriental. In fact the Mathuran Forms are recognizable for a GAUDIYA VAISHNAVA as belonging to the Vrndavan-Mathuran cultus of Krishna-Balarama and Their Shaktis. Since it is known that the ‘Buddhist’ Emperor Asoka’s own ‘Buddhist’ Guru had a monastery IN MATHURA with about 10,000 monks in it, it should be OBVIOUS what kind of ‘Buddhism’ the Emperor was schooled-in and why ALL of Mahayana Pure Land Buddhism throughout its entire geographic range was spreading devotion to the Trinity / Trikaya of Krishna-Balarama and Their Omnipresent Holy Spirit, Paramatma.

Is it concievable that the central Northern Indian Royal Capital of Krishna-Balarama Worship would have an atheistic Theravadin ‘Buddhist’ Monastery with 10,000 monks in it? What does the historical evidence tell us about the presence of this Form of ‘Buddhism’ in Mathura, and why all of Asoka-related Mahayana Pure Land Buddhism is PERMEATED with the Holy Names, Forms, Doctrines and Practices of Krishna-centric Vaishnavism?

Take this one Wiki article for example, regarding the significance of Mathura in early Mahayana Buddhist Art… “…possibly dating back to the occupation of Mathura by the Indo-Greeks during the 2nd century BC.” My own studies have proven that the Rhodian Greek Tradition of Rhoda-Kouros and Dionysos (Radha-Krishna and Baladeva) was the specific connection between the Greco-Indian Gandharan and Mathuran Schools of Vaishnavism and the original Pure Land Tradition of the Vaishnava Brahma Sect / Sampradaya known as ‘Buddhism’. In the Mediterranean Region the Sect of Kouros Helios (Krishna) Worship known in the East as ‘Buddhism’ was the Afro-Helleno-Semitic Tradition of SOKAR-AUSAR-PTAH of Memphis. This was the Cultus of SUKRA-ASHURA-BUDH, Namely the Trinity of BALADEVA (SUKLA) – VISHNU (by His Vedic Name ASHURA) – BUDDHA (His Theophanies and Incarnations as the countless Buddhas and BODHI-sattvas of the Pure Land Tradition).  Read the rest of this entry

Jesus Christ: Vishnu Tattva, Yagna Purusha Yupa Dhvaja

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9098_10152166660734828_2079101635_nHERU-AUSU-ATUM the Original Supreme Godhead of the Primal Rhodes-related Heliopolitan Egyptian Bhakti Divine Love Tradition is HARI, God Who IS Love, the Lord of the HRID / HEART.

The Circle Hieroglyph reads ‘R (HR) or ‘L and used to be rendered by modern linguists as HOR, but more recently has been rendered as HERU.

The Second Person of the Primal Deity HERU was AUSU, here depicted as the Uraeus Cobra or Ourobolos Serpent of Infinity that is holding-up Heru. Ananta Sesha Naga as Ausu-Uraeus is draped with His Ankh Cross, which is His Symbol as the Cosmic Purusha PER-AUSU. The cCatholic Apostolic Coptic Egyptian Rite of Saint Mark of Alexandria Egypt retained this same ancient ANKH CROSS OF AUSU / OSIRIS AS ITS SYMBOL OF JESUS CHRIST, the Self-Sacrificed Cosmic Purusha (Egyptian PER-AUSU, Greek POLIEUS).

HERU-AUSU’s Omnipresent Third Person, Their Holy Spirit ATUM (the Indic Tradition PARAM-ATMAN), is depicted as the CORONA / KARANA-MALA Garland of RAY-HANDS (Sanskrit KARA) that extend from HERU-AUSU and Hold His Ankh Crosses. These Ray-Hands also do the creating, maintaining and dismantling work of all Temporary (composite, material) Worlds. Even today countless Vaishnava and Pure Land Buddhist Icons of HARI still depict Him
as surrounded by just such a ‘Garland of Ray-Hands’.

As the KR root Name CREATOR, Hari-Vasu-Atman is called KRITA Creator, KRITA-KRITA Creator of Creators, and KARTRI Creator. He is God / Huta and the Lord of Lords, Guard of Guardians and Ward of Wardens, Varda-vardana. He is the Raja-raja King of kings. Compare ancient Greek REX, Roman REG and Biblical Hebrew ROSH and RAZAN. He is Vasudeva of the vasudevas the Biblical Basileos of the basileos. He is HARI of the Hari-janas / Haryana / Suragana and ELI of the Elohima.

Together the 3 Persons of the Trinity of the Transcendent HERU, the Mediating AUSU and the Immanent ATUM are the Original Supreme Personality of Godhead. They are the HERU-AUSU-ATUM of Heliopolis, the HELI-OSiris-ATOMOS of the Greeks, the HERU-WASU-ATEN of Thebes (in Egypt), the ELI-YAHU-ADON of the Biblical Semites, and the HARI-VASU -ATMAN (Krishna-Baladeva-Paramatma) of the Vaishnavas. To the Pure Land Buddhists These Same Three Persons of the HARI Trinity were the TRI KAYA of Amitabha-Amitayus-Lokeshvara.

+In the Name of the Father, the Son and Their Holy Spirit, and with the help of our Mother Mary-Miriam / Nari-Narayani, Radha / Rhoda Mystica, may our human Family again be united as ONE FAMILY UNDER GOD! + Amun Amen Amin Aum !
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PAPA and APA-RADHA, APEP and APO-STACY: Comparing the Concept in the Eastern & Western Bhakti Tradition

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Ramachandra Puri chastising Lord Chaitanya seeing ants in His room.  The Monk developed an envy of Sri Chaitanya Mahaprabhu after having had earlier committed an offense against his Guru Madhavendra Puri.

Ramachandra Puri chastising Lord Chaitanya seeing ants in His room. The Monk developed an envy of Sri Chaitanya Mahaprabhu after having had earlier committed an offense against his own Guru Madhavendra Puri.

[Bhakti Ananda Goswami’s Response to this article by Radhakrishnadas Brahmachari]

 Thank You for this nice explanation of the difference between papa ‘sin’ and aparadha ‘offenses’.  When I first saw this article by Radhakrishnadas Brahmachari, I thought of writing something about the issue of papa and aparadha in the World’s other anciently related Bhakti Yoga Traditions.  However, since my Father and I have been struggling with a severe illness lately, I have not been able to do it.  So here I will only note a few things that perhaps I will be able to write more about in the future.

First, the concept of sin as papa and papa-purusha sin-personified or the person/man of sin, can be historically traced back to the enemy of  the Supreme Triune Godhead HERU-AUSU-ATUM of the Rhodian Cultus of Helios Meghistos Kouros / Krishna.  The first High Civilization of Egypt was based on the worship of the Theophanies and Incarnations of this Trinity of Hari (Krishna), Vasudeva (Balarama-Vishnu) and Their All-Pervasive Atman / Paramatma.  In North Egypt at Heliopolis the Hidden Lord of the Heart was called ATUM / ATON / ADON.  Later in the South at Thebes the same Hidden Lord of the Heart was called ATEN before and during the famous Amarna Period. 
The Indo-Europeans and Semites also worshiped this same Godhead as HELI-OS-ATOMOS (Atman = Being, WHO IS and the SELF Ousios, Atomos, Ontos, Autos etc.). The Semites called this Godhead ELI-YAHU-ADONyahu. 
For thousands of years the enemy of this Godhead was known as SETU /KETU (Satan the sinful cause of CATA-bolism decay disease and death) ) and PAPA / sin. The hieroglyph for PAPA / sin in Egypt was a small deadly poisonous centipede type of insect.  The meaning of the symbol is that the poison of sin can sicken and kill your whole body.  Thus a very small and insignificant looking creature or bite/sting may look harmless, but the wise person knows to avoid the risk of the deadly sting of such envious life-destroying sinful creatures.  Modern Egyptologists and Linguists have rendered this centipede-like ideogram for sin as PP and have transliterated it as APEP.  Obviously this name of the envious destroyer of life and enemy of God and Humanity is PAPA. 

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Sacred Basil/Tulasi was given to Jesus Christ on His Cross!

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Dear Friends, Please suspend your disbelief and any party-spirit sectarian prejudices to consider the evidence in this Album. The great living ancient-most Bhakti Traditions of the World are ALL historically and therefore theologically related as expressions-of the SAME PRIMAL DEVOTIONAL TRADITION to HARI, the Lord of the HRID / Heart, the Lord of Divine Grace / Mercy and Love!
From Bhakti Ananda Goswami: Sacred Basil / Tulasi was given to Jesus Christ on His Cross. It was dipped in HalaHala, the Sins of the Universe! When He had taken it, He said “It is Finished” and He ‘became sin for us’. Then a Martial Roman Soldier pierced His Side with the Vel of Skanda (Mars) that destroys sin ! Jesus accepted the Vel just as Krishna had in a previous Lila. Siva (or Vishnu) Nila-Kantha did NOT swallow the Hala Hala, but Jesus DID, and thus He descended to the Dead.

Some Traditions say Sacred Basil / Tulasi sprang-up where Jesus Christ’s Blood dropped on the ground. Other Traditions say that Sacred Basil sprang-up from Mary’s Tears. Still others relate that Holy Basil grew directly out of Jesus Christ’s Cross. Read the rest of this entry

Time I AM: Forms of Kalah Purusha, Time Man as the MacroCosmos

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KRISHNA AS KALAPURUSHA VISVARUPA God as Time Personified - Universal Form

Figure 1 – KRISHNA AS KALAPURUSHA VISVARUPA
God as Time Personified – Universal Form

The Vedas and other ancient scriptures… describe the sky as the “Kala Purusha” the “Divine cosmic being”, personification of time, being the zodiac a representation of his different body parts. The whole original Bhakti Buddhist Other-power Tradition has diffused out of Vaishnava centers and is full of Vaishnava doctrines and practices.

“In a 17th century printing by Christian QBLHist Athanisius Kircher, (Figure 4 -Below)) we see the triune halo representing God in the form of the Christian Trinity concept atop the wheels of concepts emanating outward from a core symbolising the cosmos of the QBLHistic world of Assiyah. Here we see Adam Kadmon, the cosmic template of man’s physical body and the mind of God that can possess any living person, depicted as a child-like Christ, whose limbs reach across the cosmos of Assiyah, but who is yet bounded within the outer 3 realms of the other QBLHistic worlds.

Here we see the outer edge of the comsos of Assiyah, to which the reach of the child-like Adam Kadmon extends, is marked by the wheel of the zodiac, and that the “Microcosmos” within the young Christ’s reach is comprised of the 7 planetary orbits, symbolising the 6 cardinal directions plus the forward motion of time. Below these are 3 worlds surrounding Malkuth, the Kingdom, which signify the 3 essential elements of Alchemy, salt, sulphur and mercury, signifying, alike frozen, fluid or vapid, the conditional states of matter as symbolic of the 3 spatial dimensions. Malkuth, at the centre of which are Adam Kadmon’s genitals, is shown in black.

Beneath the feet of Adam Kadmon, in the 3 “upper” worlds of ha QBLHistic 4 worlds, are three groups of three aspects. These signify the 7 heavens and 7 arch-angels of Beriah, the 12 permutations of the 3 Tetragrammtons, names of God, of Yetzirah, and the 3 layers of the greater light, Ayin, Ayin Soph, and Ayin Soph Aur of Atziluth, the upper-most world. In this depiction we see the zodiac circle as surrounding Adam Kadmon as alike an oroborus or aura, signiying the realm beyond God, when God is lowered into a form of body in the cosmos of Assiyah.”

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The Sacred Peacock was the Symbol of the One True God

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Krishna Peacock Montage 5
Please study the Sacred Peacock and its closest relatives, the Phoenix, Quetzal, Golden Pheasant, Mediterranean or Persian Cockerel etc., which were sacred and propagated around the World by the Devotees of the Supreme Lord.  Some of them Heralded the Dawn, and were thus widely revered for their sensitivity to the first light of the day. The Peacock and Persian or Domestic Cock (Rooster, see Wiki) were both important in Judaism, and in the Schools devoted to Asclepios Iasas (Jesus, Ananta-Charaka) the Great Physician.     
The most familiar Peacock itself was imported from India by the Bible’s King Solomon (Jewish Scriptures [Christian Old Testament], Kings 10:22, 2 Chron. 9:21), and was the Symbol of the Royal Messianic Lineage of David.  Scholars have long recognized that the ancient Biblical word for Peacock comes from Tamil Nadu South India. 

Sacred Poetry of Devotion

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firebird

31 pages of Bhakti Ananda Goswami’s Poetry Dedicated to God and Goddess Who are Love Itself

https://www.dropbox.com/sh/zirffzl5pilflnk/8xJvl6lLKG

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