Tag Archives: nachash

Jesus Christ: Vishnu Tattva, Yagna Purusha Yupa Dhvaja

Standard

9098_10152166660734828_2079101635_nHERU-AUSU-ATUM the Original Supreme Godhead of the Primal Rhodes-related Heliopolitan Egyptian Bhakti Divine Love Tradition is HARI, God Who IS Love, the Lord of the HRID / HEART.

The Circle Hieroglyph reads ‘R (HR) or ‘L and used to be rendered by modern linguists as HOR, but more recently has been rendered as HERU.

The Second Person of the Primal Deity HERU was AUSU, here depicted as the Uraeus Cobra or Ourobolos Serpent of Infinity that is holding-up Heru. Ananta Sesha Naga as Ausu-Uraeus is draped with His Ankh Cross, which is His Symbol as the Cosmic Purusha PER-AUSU. The cCatholic Apostolic Coptic Egyptian Rite of Saint Mark of Alexandria Egypt retained this same ancient ANKH CROSS OF AUSU / OSIRIS AS ITS SYMBOL OF JESUS CHRIST, the Self-Sacrificed Cosmic Purusha (Egyptian PER-AUSU, Greek POLIEUS).

HERU-AUSU’s Omnipresent Third Person, Their Holy Spirit ATUM (the Indic Tradition PARAM-ATMAN), is depicted as the CORONA / KARANA-MALA Garland of RAY-HANDS (Sanskrit KARA) that extend from HERU-AUSU and Hold His Ankh Crosses. These Ray-Hands also do the creating, maintaining and dismantling work of all Temporary (composite, material) Worlds. Even today countless Vaishnava and Pure Land Buddhist Icons of HARI still depict Him
as surrounded by just such a ‘Garland of Ray-Hands’.

As the KR root Name CREATOR, Hari-Vasu-Atman is called KRITA Creator, KRITA-KRITA Creator of Creators, and KARTRI Creator. He is God / Huta and the Lord of Lords, Guard of Guardians and Ward of Wardens, Varda-vardana. He is the Raja-raja King of kings. Compare ancient Greek REX, Roman REG and Biblical Hebrew ROSH and RAZAN. He is Vasudeva of the vasudevas the Biblical Basileos of the basileos. He is HARI of the Hari-janas / Haryana / Suragana and ELI of the Elohima.

Together the 3 Persons of the Trinity of the Transcendent HERU, the Mediating AUSU and the Immanent ATUM are the Original Supreme Personality of Godhead. They are the HERU-AUSU-ATUM of Heliopolis, the HELI-OSiris-ATOMOS of the Greeks, the HERU-WASU-ATEN of Thebes (in Egypt), the ELI-YAHU-ADON of the Biblical Semites, and the HARI-VASU -ATMAN (Krishna-Baladeva-Paramatma) of the Vaishnavas. To the Pure Land Buddhists These Same Three Persons of the HARI Trinity were the TRI KAYA of Amitabha-Amitayus-Lokeshvara.

+In the Name of the Father, the Son and Their Holy Spirit, and with the help of our Mother Mary-Miriam / Nari-Narayani, Radha / Rhoda Mystica, may our human Family again be united as ONE FAMILY UNDER GOD! + Amun Amen Amin Aum !
Read the rest of this entry

Sacred Poetry of Devotion

Standard

firebird

31 pages of Bhakti Ananda Goswami’s Poetry Dedicated to God and Goddess Who are Love Itself

https://www.dropbox.com/sh/zirffzl5pilflnk/8xJvl6lLKG

No Download Required

NaraHari Kalah the Leontocephalos Lion-Headed Form of God as Time

Standard
This is a very brief summary of some of the main connections between the ancient civilizations that worshiped the Supreme Lord as Lion-Headed Kalah / Time. To the Indic Vaishnavas He was Krishna-Vishnu as Nara-Hari Kalah. He, Kalah, is the central Wrathful Cosmic Theophany of All-Devouring Time in His Bhagavad-gita Revelation. Shaivites consider Kalah / Time to be a Form of Shiva. Hari (Krishna-Vishnu) or Hara (Siva) is worshiped throughout the Range of Pure Land Mahayana Buddhism as Kalah Bairab, Kalah-Purusha and Kala-Chakra (with His Time Wheel). The ancient Persians worshiped their Supreme Lord as Lion-Headed Time (Zurvan or Aeon). Later the Zoroastrians and Mithras worshipers retained Him as the Father of the gods. The Greeks called Him Kronus/Time and at first they worshiped Him as the Father of the gods. The Romans called Him Jupiter-Saturnus and worshiped Him as the Father of the gods. The Greeks' Kronos, and Romans' Jupiter-Saturnus was identified with the God of the Jews and the Lion-Headed Time Form of the Egyptians' Supreme Deity.

This is a very brief summary of some of the main connections between the ancient civilizations that worshiped the Supreme Lord as Lion-Headed Kalah / Time. To the Indic Vaishnavas He was Krishna-Vishnu as Nara-Hari Kalah. He, Kalah, is the central Wrathful Cosmic Theophany of All-Devouring Time in His Bhagavad-gita Revelation. Shaivites consider Kalah / Time to be a Form of Shiva. Hari (Krishna-Vishnu) or Hara (Siva) is worshiped throughout the Range of Pure Land Mahayana Buddhism as Kalah Bairab, Kalah-Purusha and Kala-Chakra (with His Time Wheel). The ancient Persians worshiped their Supreme Lord as Lion-Headed Time (Zurvan or Aeon). Later the Zoroastrians and Mithras worshipers retained Him as the Father of the gods.
The Greeks called Him Kronus/Time and at first they worshiped Him as the Father of the gods.
The Romans called Him Jupiter-Saturnus and worshiped Him as the Father of the gods. The Greeks’ Kronos, and Romans’ Jupiter-Saturnus was identified with the God of the Jews and
the Lion-Headed Time Form of the Egyptians’ Supreme Deity.

This is the Wrathful Leonid-Headed Cosmic Form of HELI / ELI / ALI / HERU / HARI / HARA as KALAH / TIME in His great I AM Theophany in the Bhagavad-Gita. In Egypt He was called HERU-AUSU Amun-Ra and identified with ZEUS CHRONUS (Time) and JUPITER SATURNUS (Time). This is the Murti of Him carved in relief on the top center of the Metternich Stela in this Album. Read the rest of this entry

The Serpent of Infinity is both Ourobolus and the UN-ENDing Fire-Breathing AN-ANTA Shesha

Standard

David Ernest Wachter: The consonants emanating from the central N are: P R S T R. PRSTR=PRESTER
prester: prēster, ēris, m., = πρηστήρ [burning].
1. A fiery whirlwind, which descends in the form of a pillar of fire, a water-spout, sand-spout: presteras Graici quos ab re nominitarunt, etc., Lucr. 6, 424: turbo ardentior accensusque dum furit, prester vocatur, amburens contacta pariter, et proterens, Plin. 2, 48, 50, § 133: spiritus cum majore vi torti sunt, fit procella terrestris, et a Graecis prester nomen accepit, App. de Mundo, p. 62 fin.— 2. A kind of serpent, whose bite causes a burning thirst: prester quem percusserit, distenditur, enormique corpulentiā necatur extuberatus, Sol. 27, 32: torridus prester, Luc. 9, 791; Plin. 20, 20, 81 § 210; 24, 13, 73, § 117. (specifically an asp) (LEWIS & SHORT)

How interesting that the consonants show a fiery serpent emanating from the waters of Nun! No doubt this is one of the reasons the sator square protects from fire. Wiki notes that in antiquity asps specifically referred to the poisonous snakes located in the Nile region and says they were associated with royalty.

Bhakti Ananda Goswami: The giant Egyptian Cobra is the Uraeus or Sheshata Cobra of HERU-AUSU-ATUM. This appears to be the same species that is usually depicted as Ananta Sesha Naga the alter-Form of HARI-VASU-ATMAN in India and the Orient (Buddhist Muchilinda Buddha Nagasana Serpent-Throne). As the Serpent of Infinity He is both Ourobolus and the UN-ENDing AN-ANTA Deva, the circular S character BEFORE the End of Greek words, and the S character like the English S that is used at the END of Greek words! SESHA means ‘Remainder at the end’! Thus both forms of the Serpent Sound hisssssssss S letter of the Sacred Helios-related Greek Alphabet are Names of Ananta Sesha Naga. AND, He is the pre-Atlas World-Holder as well as the Serpent of Mar’s Grove. His theology in pervasive in both the Hebrew Biblical and the Afro-Heleno Traditions. In the Bible, He is the Seraphic Deity Who is the Alter-Form of Bal-Yahu Who appears as the NACHASH / NAGA Serpent Staff of Moses and lifted up in the Wilderness of Sin to save the bitten multitude. He is the Alter-Form of the Ayur Vedic and Egyptian etc. Great Physician, and His NAGAKAL became the Caduceus of Hermes as well as the Serpent Staff of Asclepios Iasas / Jesus, Who was Baladeva as Ananta-Charaka in the East. This Great Physician Form of the Lord can be traced all of the way to Japan, where He is the YAKUSHI-JI ‘Medicine Buddha’ of the Japanese Pure Land Tradition. If I get the time I will make an Album of Ananta Sesha Naga murtis for You! All Glories to the Lord of Infinite Life, AMITA-YUS / JESUS / IASAS / YAKUSHI-JI the Great Physician Who takes away the sins of the World! Hara Hari Hare bol! Read the rest of this entry

The 4 Aeons or Yugas of Time

Standard

The vowels of the sator square form a maltese cross and spell AEON 4 times. The 4 ages are a common theme in both eastern and western mythologies.
http://en.wikipedia.org/wiki/Yuga
http://en.wikipedia.org/wiki/Ages_of_Man

Aion’s consort is Aeternitas and her name appears in the sator square in a Tau cross formation 4 times…. you can find the first one by looking at the sator square center point and proceeding ETOR (upwards and right) NETAS (up and left). The other T crosses of Eternity should be easy to spot then.

There are so many god/goddess pairings in the sator square, here are just a few primary pairings:
AEON & ETERNITY
NUN & NUNET
SATURN & OPS
AUSER & ASET

Remember do not look for abstract impersonal concepts. Look for the Personal Names of God Ess! like a Tibetan Thangka or an Indic Vaishnava, Shavite of Devi Yantra or Mandala, these Heliopolitan (late Serapean) Asyla Federation word-puzzles both conceal and reveal the bija or seed-mantra Names of God Ess. Everything is contained in Their Holy Names. The English words AGE or EON from Greek is cognate with Sanskrit YUGA ! The ‘GOLDEN AGE’ is that of GAURA / HARI / HERU !   In the Latin world Saturn ruled the golden age, thus connecting Saturn with Hari.

Thangkas, Yantras, Mantras and Mandalas are ALL made-up, composed of the Holy Names of God Ess. The Forms revealed by the Holy Name or Bija Name Seed-Mantras are visualized by the Meditator or Priest Ess invoking the Divinity. Impersonalism introduced the iconoclastic practise of killing, destroying or dissolving these conjured or created Nama-Rupa Name-Forms of God Ess after Their invocation or consecration.

The Jupiter-Saturnus as TIME of ancient Rome was the Hari of the Bhagavad Gita. I have seen many depictions of Him as Jupiter-Zeus-Amun and Cronus with His Lion’s Head etc. In His Gita, Sri Hari shows His wrathful Cosmic Purusha Form to Arjuna as the lion-Headed NARA HARI KALAH BAIRAVA (SHIVA)! KALAH is TIME and He is also the Alter-Form of Ananta Sesha Naga, the Seraphic Serpent of Infinity. Thus Lion-Headed Saturnus is usually wrapped-around by His Ourobolos Serpent of infinity. Gold is sacred to HARI because it and the color YELLOW are pictorial puns on His HR / HL Name. Krishna wears Gold HARI, GAURA, AURA or GELB/ YELLOW which says His HR / HL etc. Name.

Read the rest of this entry

Jesus Christ as Asklepios Serapis and Ananta Charaka

Standard

God in His form as Dionysus with His Shakti Ariadne from a Water Jar 4th century BC Found near Rhodes

After the technology for Monumental Stone Carving In-the-Round had been perfected ‘Cult Images’ were installed in Greco-Roman and Egyptian Shrines throughout the region. They were installed by the Murti Makers of the Heliopolitan Asyla Federations of Rhodes. The Heliopolitan School of Sculpture of the Murti Makers of Rhodes is credited by Classical Art Historians with the innovation and diffusion of the techniques that finally made the amazing naturalism and realism of this kind of life-size and greater than life- size, monumental statuary possible. Many of these sacred images were severely damaged by the Muslims who later invaded these Mediterranean lands. However, because the Romans and others often made their own copies of very popular Murtis, for their own local temples and shrines, there are enough ‘surviving’ images for the recovered damaged ones to be restored. Thus today we have some original temple and shrine ‘cult images’ that were not destroyed, many thousands of pieces of the ones that were destroyed by the iconoclasts, some that were damaged, but that were restored at some early time, many that were copied in similar or different materials by the Romans and others, and other originals that have been restored in modern times. There are also many modern copies of the most important and famous of these ancient ‘cult images’ or Murtis. Museums often are the actual patrons and/or producers of these replica Murtis, because the Originals or their pieces are in the Museum’s collections. Read the rest of this entry